If I close my eyes Leonard is sitting in my room and I am humming together with him, his voice has a natural decay and tone. The branding is etched into the metal and compliments the overall aesthetic very well. The decay of the notes is natural and life like as every note will just disappear out of thin air and will not just stop or hit an imaginary wall, that amplifies the meaning of a good depth. FH7 changed my preconceptions about IEMs in general as it sounds like a full-sized desktop headphone and that is not an easy trait. Its a trade-off between achieving a non-fatiuging sound and trying to create that sense of openness. Luckily, thanks to longer nozzle the metallic shell is not pushing my ear and it is comfortable to wear. This is a headphone where every single detail has been thought about. Balanced ear tips (3 pairs of S, M and L – the standard black silicone ones) Here’s a free tip on how to improve your FH7: take out the default balanced medium sized tip and never use it again! However, FA7 has a longer nozzle and might even be more comfortable to others, if the FA7 shell was already pressing on your ear lobe, FH7 should not do that. The red one will emphasis the bass response and the green one the treble presence. In this case, it looks like Meze went for non-fatiguing and it leaves the Rai with just an average soundstage. The Meze Rai Penta is a good sounding set of earphones but I’m having an extremely hard time viewing them as a $1000 dollar upwards good sounding earphone. 399.95. I bet; these are for you then. Is it better than the Sennheiser Orpheus or the 64 Audio A18t? Unboxing experience is exceptional! I cannot deny the naturalness FH7 is having. Male voices will always sound imposing and soul reaching. I really like how they look both in the hand but also in the ear because they just mold to the contours of your outer ear so well and remain very low profile. So, how should I characterize the stage size of FH7? When I was reviewing the FA7 I had the feeling of “almost there”, “almost perfect”, everything would start with “almost”, they were really nice, outstanding even on some parts but not extraordinary, they still had some quirks. I never thought those small drivers can reach so low. The more I compare the two, the more I am falling in love with FH7. One of that is the base response, although going down the bass notes on FA7 didn’t have sustain, they had control but they would fade away too quickly. Now, comparing the size and materials, FA7 is slightly more comfortable as resin that is touching your ear is smoother and softer. I consider them truly genre masters and this is the first IEM to take this title. There isn’t a hint of sibilance in the top end so if you are someone that is treble sensitive they would be a good match for you. There is no denying that FH7 just overall is a more detailed IEM and will extract much more information not only in the sub-bass but in the treble area as well. FiiO F9 Pro 5. FiiO FH7 – Genre Masters . Probably not, but I haven't heard them (Senny and 64 Audio pls send … Vocals and strings are both equally clear and concise with good clarity and detail being pulled out from top to bottom. is a review site for high-end audiophile headphones and earphones. It is pleasant to listen to and works well with almost any genre. I never heard that before in a pair of IEMs, bass response is surely playing in big-boy category. vs. FiiO FA7 – 300 $ The FA7 is much warmer, thicker and darker sounding than the FH7. A warm source will sound warm and a cold source will display cold. Depth is mostly the same on the SE or on the BAL output and I can easily appreciate the distance between me and a said note. FiiO FA7 Quad BA IEM – Review. Overview – FiiO FH5 vs Shure SE425 Comparison Review Overall, the FiiO FH5 and the Shure SE425 are very different sets of in-ear-monitors and should be spoken of as such. It is very common for companies like Meze to outsource their IEM production and if using engineers that have worked on other projects similarities like this can come up. This technology was first implemented in FH5 but was further improved with FH7. Would you not agree with me? However, with FH7 there isn’t a drop in the mid-treble and I am even hearing few additional layers of treble information, a very pleasing experience to have. It’s deep reaching, multiple layered, very clean and has an agile kick and crazy slam into my eardrums. A fast transient response is nothing without a great impactful slam! The 2 earphones share very similar housings, driver configurations, vents locations and they both graph very much the same. Shure SE846 (USD 799) vs 64Audio U10 with Apex M20 (USD 980-1399) Build Whilst both have good overall builds with acrylic or poly-carbonate shells, I have noticed the tendency of the 64Audio shells to occasionally chip at the nozzle, so I’m going to give the nod to the SE846 … FH5 did that so some degree, FA7 did that better, but man FH7 did that at the next, final level. Most dynamic earphones need venting because the volume air moved by the large diameter diaphragm needs to be released. Here’s a true story: I was planning on doing a review for the KZ AS16 IEMs first, listened to them and was underwhelmed by the lack of bass and because of that dry midrange and thought, hey I should listen to the FH7 as well. I don’t know, you should be that judge. 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